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JYOTI PRODCUTION

 

 

 

Kalighat painting, or pata (originally pronounced 'pot' in Bengali) is a style of Indian painting derives its name from the place. It is characterised by generously curving figures of both men and women and an earthy satirical style. It developed during the nineteenth century in response to the sudden prosperity brought to Calcutta by the East India Company trade, whereby many houses including that of 'Prince' Dwarkanath Tagore, grandfather of Rabindranath Tagore became incredibly wealthy. Many of these nouveau riche families came from not particular exalted caste backgrounds, so the orthodox tended to frown on them and their often very tasteless conspicuous consumption. To the common people the 'babu's, as they were called, were equally objects of fun and sources of income. Thus the 'babu culture' portrayed in the Kalighat patas often shows inversions of the social order (wives beating husbands or leading them about in the guise of pet goats or dogs, maidservants wearing shoes, sahibs in undignified postures, domestic contretemps, and the like.) They also showed European innovations (babus wearing European clothes, smoking pipes, reading at desks, etc). The object of this is only partly satirical; it also expresses the wonder that ordinary Bengalis felt on exposure to these new and curious ways and objects.

Kalighat pata pictures are highly stylised, do not use perspective, are usually pen and ink line drawings filled in with flat bright colours and normally use paper as a substrate, though some may be found with cloth backing or on cloth. The artists were rarely educated, and usually came from a lineage of artisans. Kalighat patas are still made today although genuine work is hard to come by. The art form is urban and largely secular: although gods and goddesses are often depicted, they appear in much the same de-romanticised way as the humans do. By contrast, the Orissa tradition of pata-painting, centering around Puri, is consciously devotional. Kalighat pata has been credited with influencing the Bengal School of art associated with Jamini Roy.

 

 

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